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<channel>
	<title>Nielsen Wire &#187; Slumdog Millionaire</title>
	<atom:link href="http://blog.nielsen.com/nielsenwire/tag/slumdog-millionaire/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.nielsen.com/nielsenwire</link>
	<description>Consumer Insights, News, Research &#38; Reports</description>
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			<item>
		<title>Advertising Can Make Or Break A Movie</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/advertising-can-make-or-break-a-movie/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/advertising-can-make-or-break-a-movie/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 14:02:34 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[Consumer Insight]]></category>
		<category><![CDATA[movie marketing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[summer]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=12399</guid>
		<description><![CDATA[Slumdog Millionaire, the Oscar winner for Best Picture in 2008 was not a summer blockbuster.  Nor were any of the other nominees in that category.  But they all had a couple of things in common: they were primarily advertised in the second half of the year with a concentration in the fourth quarter, and they were all released in the months of November and December.  So while the summer blockbusters get a great deal of attention, it is those films that are released &#8211; and tend to advertise &#8211; during ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/06/movie-theater-200x300.jpg"><img class="alignleft size-thumbnail wp-image-12415" title="movie-theater-200x300" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/06/movie-theater-200x300-150x150.jpg" alt="" width="105" height="105" /></a><em>Slumdog Millionaire</em>, the Oscar winner for Best Picture in 2008 was not a summer blockbuster.  Nor were any of the other nominees in that category.  But they all had a couple of things in common: they were primarily advertised in the second half of the year with a concentration in the fourth quarter, and they were all released in the months of November and December.  So while the summer blockbusters get a great deal of attention, it is those films that are released &#8211; and tend to advertise &#8211; during the last half of the year that get recognized by the Academy of Motion Picture Arts &amp; Sciences, according to recent review by Nielsen.</p>
<p>A review of Best Picture winners over the past five years reveals that only one film &#8211; <em>Crash</em>, which took home the award in the 2005 &#8211; was released outside the fourth quarter (it was released in early May).  But summer flicks hold their own when it comes to winning awards: the top 10 movies in 2008, based on advertising spending from May through August, included four films with nominations in other categories.  <em>Wall-E</em>, which was ranked third after spending over $38 million in advertising during this period, was nominated in six categories &#8211; and raked in $63.1 million box office sales.</p>
<p>Read more about how advertising can make or break a film in the latest issue of <a href="http://en-us.nielsen.com/main/insights/consumer_insight/june_2009/blockbuster_or_bust">Consumer Insight</a>.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>OSCARS: Best Film Nominee Ad Expenditures</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/oscars-best-film-nominee-ad-expenditures/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/oscars-best-film-nominee-ad-expenditures/#comments</comments>
		<pubDate>Fri, 20 Feb 2009 19:06:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[advertising expenditures]]></category>
		<category><![CDATA[Best Film]]></category>
		<category><![CDATA[Frost/Nixon]]></category>
		<category><![CDATA[Milk]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[The Curious Case of Benjamin Button]]></category>
		<category><![CDATA[The Reader]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=8450</guid>
		<description><![CDATA[2008 advertising expenditures for this year&#8217;s Best Film nominees:




RANK
FILM
EXPENDITURES (millions)


1
The Curious Case of Benjamin Button
$31.0


2
Milk
$11.3


3
Frost/Nixon
$11.3


4
Slumdog Millionaire
$6.1


5
The Reader
$4.6


source: The Nielsen Company 2009NOTE: Figures do not include Internet or Outdoor ad expenditures




]]></description>
			<content:encoded><![CDATA[<p>2008 advertising expenditures for this year&#8217;s Best Film nominees:</p>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>RANK</th>
<th>FILM</th>
<th>EXPENDITURES (millions)</th>
</tr>
<tr>
<td class="axis">1</td>
<td>The Curious Case of Benjamin Button</td>
<td>$31.0</td>
</tr>
<tr>
<td class="axis">2</td>
<td>Milk</td>
<td>$11.3</td>
</tr>
<tr>
<td class="axis">3</td>
<td>Frost/Nixon</td>
<td>$11.3</td>
</tr>
<tr>
<td class="axis">4</td>
<td>Slumdog Millionaire</td>
<td>$6.1</td>
</tr>
<tr>
<td class="axis">5</td>
<td>The Reader</td>
<td>$4.6</td>
</tr>
<tr>
<td class="table_meta" colspan="4">source: The Nielsen Company 2009<em>NOTE: Figures do not include Internet or Outdoor ad expenditures</em></td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Oscar-Nominated Flicks Ride Buzz To Box Office Sales</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/oscar-nominated-flicks-ride-buzz-to-box-office-sales/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/oscar-nominated-flicks-ride-buzz-to-box-office-sales/#comments</comments>
		<pubDate>Thu, 19 Feb 2009 16:47:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[box office sales]]></category>
		<category><![CDATA[Frost/Nixon]]></category>
		<category><![CDATA[Milk]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[The Curious Case of Benjamin Button]]></category>
		<category><![CDATA[The Reader]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=8364</guid>
		<description><![CDATA[Do Academy Award nominations impact the distribution and ticket sales of nominated movies?  Nielsen EDI compared the number of theaters showing each movie and ticket sales before and after the nominations were announced on January 22 and found significant increases in most cases.
With the exception of The Curious Case of Benjamin Button, each of the Best Film nominees saw triple-digit percentage increases in theater count after they were nominated. The increased distribution of these films also led to box office sales increases anywhere from 18% to 72% in the ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/01/award-show-200x300.jpg" alt="" width="84" height="126" />Do Academy Award nominations impact the distribution and ticket sales of nominated movies?  Nielsen EDI compared the number of theaters showing each movie and ticket sales before and after the nominations were announced on January 22 and found significant increases in most cases.</p>
<p>With the exception of <em>The Curious Case of Benjamin Button</em>, each of the Best Film nominees saw triple-digit percentage increases in theater count after they were nominated. The increased distribution of these films also led to box office sales increases anywhere from 18% to 72% in the weeks following the nominations.</p>
<h3>THEATER COUNT OF BEST FILM NOMINEES</h3>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>RANK</th>
<th>FILM</th>
<th>BEFORE<br />
NOMINATION</th>
<th>AFTER<br />
NOMINATION</th>
<th>% CHANGE</th>
</tr>
<tr>
<td class="axis">1</td>
<td>FROST/NIXON</td>
<td>153</td>
<td>1099</td>
<td>618%</td>
</tr>
<tr>
<td class="axis">2</td>
<td>MILK</td>
<td>250</td>
<td>882</td>
<td>253%</td>
</tr>
<tr>
<td class="axis">3</td>
<td>THE READER</td>
<td>367</td>
<td>1002</td>
<td>173%</td>
</tr>
<tr>
<td class="axis">4</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>582</td>
<td>1415</td>
<td>143%</td>
</tr>
<tr>
<td class="axis">5</td>
<td>THE CURIOUS CASE OF BENJAMIN BUTTON</td>
<td>2223</td>
<td>2263</td>
<td>2%</td>
</tr>
<tr>
<td class="table_meta" colspan="5">source: The Nielsen Company 2009</td>
</tr>
</tbody>
</table>
<p style="center;"><strong>BOX OFFICE SALES OF BEST FILM NOMINEES</strong></p>
<p><!-- end chart --></p>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>RANK</th>
<th>FILM</th>
<th>3 WEEKENDS BEFORE<br />
NOMINATION</th>
<th>3 WEEKENDS AFTER<br />
NOMINATION</th>
<th>% CHANGE</th>
</tr>
<tr>
<td class="axis">1</td>
<td>THE READER</td>
<td>$4,268,323</td>
<td>$7,326,702</td>
<td>72%</td>
</tr>
<tr>
<td class="axis">2</td>
<td>FROST/NIXON</td>
<td>$3,110,726</td>
<td>$5,197,785</td>
<td>67%</td>
</tr>
<tr>
<td class="axis">3</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>$15,494,836</td>
<td>$25,505,612</td>
<td>65%</td>
</tr>
<tr>
<td class="axis">4</td>
<td>MILK</td>
<td>$3,123,125</td>
<td>$3,690,247</td>
<td>18%</td>
</tr>
<tr>
<td class="axis">5</td>
<td>THE CURIOUS CASE OF BENJAMIN BUTTON</td>
<td>$34,489,059</td>
<td>$11,932,358</td>
<td>-65%</td>
</tr>
<tr>
<td class="table_meta" colspan="5">source: The Nielsen Company 2009</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
<p><span id="more-8364"></span>Nielsen also found that impressive gross sales are not required for a film to be nominated in the top categories.<span style="yes;"> </span>For example, <em>Frost/Nixon</em>, in movie theaters for eleven weeks, earned only $17 million at the U.S. box office through February 16, while fellow nominee <em>Benjamin Button</em> pulled in close to $123 million since its December 25 release.</p>
<p><strong>TOTAL GROSS SALES OF BEST FILM NOMINEES</strong></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>RANK</th>
<th>FILM</th>
<th>OPEN DATE</th>
<th>GROSS</th>
</tr>
<tr>
<td class="axis">1</td>
<td>THE CURIOUS CASE OF BENJAMIN BUTTON</td>
<td>12/25/2008</td>
<td>$122,573,294</td>
</tr>
<tr>
<td class="axis">2</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>11/12/2008</td>
<td>$88,101,863</td>
</tr>
<tr>
<td class="axis">3</td>
<td>MILK</td>
<td>11/26/2008</td>
<td>$26,748,699</td>
</tr>
<tr>
<td class="axis">4</td>
<td>THE READER</td>
<td>12/10/2008</td>
<td>$19,618,951</td>
</tr>
<tr>
<td class="axis">5</td>
<td>FROST/NIXON</td>
<td>12/5/2008</td>
<td>$16,561,626</td>
</tr>
<tr>
<td class="table_meta" colspan="4">source: The Nielsen Company 2009</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		</item>
		<item>
		<title>&#8220;Mall Cop&#8221; Locks Up Box Office Again</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-locks-up-box-office-again/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-locks-up-box-office-again/#comments</comments>
		<pubDate>Mon, 26 Jan 2009 14:09:19 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Benjamin Button]]></category>
		<category><![CDATA[Gran Torino]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Paul Blart: Mall Cop]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[Underworld]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=7596</guid>
		<description><![CDATA[For the second week in a row, the Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; led the box office with $21.6M in earnings. Newcomer &#8220;Underworld: Rise Of The Lycans&#8221; clawed to second with $20.8M. Oscar nominees for best picture were reward with a box office surge as &#8220;Slumdog Millionaire&#8221; pulled in $3.6M more than last week, and &#8220;Benjamin Button&#8221; turned back the clock with a return into the top 10, bringing in more than $6M the weekend after nominations were announced.




 RANK
 Title
 Studio
 Weekend Gross
Jan 19-25
 Total Gross
Thru Jan ...]]></description>
			<content:encoded><![CDATA[<p>For the second week in a row, the Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; led the box office with $21.6M in earnings. Newcomer &#8220;Underworld: Rise Of The Lycans&#8221; clawed to second with $20.8M. Oscar nominees for best picture were reward with a box office surge as &#8220;Slumdog Millionaire&#8221; pulled in $3.6M more than last week, and &#8220;Benjamin Button&#8221; turned back the clock with a return into the top 10, bringing in more than $6M the weekend after nominations were announced.<br />
<!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th> RANK</th>
<th> Title</th>
<th> Studio</th>
<th> Weekend Gross</p>
<p>Jan 19-25</th>
<th> Total Gross<br />
Thru Jan 25</th>
</tr>
<tr>
<td class="axis">1</td>
<td>PAUL BLART: MALL COP</td>
<td>SONY PICTURES</td>
<td>$21,623,182</td>
<td>$64,923,380</td>
</tr>
<tr>
<td class="axis">2</td>
<td>UNDERWORLD: RISE OF THE LYCANS</td>
<td>SONY PICTURES</td>
<td>$20,828,511</td>
<td>$20,828,511</td>
</tr>
<tr>
<td class="axis">3</td>
<td>GRAN TORINO</td>
<td>WARNER BROS.</td>
<td>$16,244,462</td>
<td>$97,819,975</td>
</tr>
<tr>
<td class="axis">4</td>
<td>HOTEL FOR DOGS</td>
<td>PARAMOUNT</td>
<td>$12,860,944</td>
<td>$37,455,759</td>
</tr>
<tr>
<td class="axis">5</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>FOX SEARCHLIGHT</td>
<td>$10,699,629</td>
<td>$56,065,245</td>
</tr>
<tr>
<td class="axis">6</td>
<td>MY BLOODY VALENTINE</td>
<td>LIONSGATE</td>
<td>$10,012,658</td>
<td>$37,687,394</td>
</tr>
<tr>
<td class="axis">7</td>
<td>INKHEART</td>
<td>WARNER BROS.</td>
<td>$7,601,379</td>
<td>$7,601,379</td>
</tr>
<tr>
<td class="axis">8</td>
<td>BRIDE WARS</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$6,868,664</td>
<td>$48,570,928</td>
</tr>
<tr>
<td class="axis">9</td>
<td>THE CURIOUS CASE OF BENJAMIN..</td>
<td>PARAMOUNT</td>
<td>$6,085,919</td>
<td>$111,129,482</td>
</tr>
<tr>
<td class="axis">10</td>
<td>NOTORIOUS</td>
<td>FOX SEARCHLIGHT</td>
<td>$5,779,692</td>
<td>$31,874,538</td>
</tr>
<tr>
<td class="table_meta" colspan="5">Source: Nielsen EDI</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		</item>
		<item>
		<title>&#8216;Mall Cop&#8217; Secures Weekend Box Office</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-secures-weekend-box-office/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-secures-weekend-box-office/#comments</comments>
		<pubDate>Tue, 20 Jan 2009 16:29:35 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[box office]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[Gran Torino]]></category>
		<category><![CDATA[Paul Blart: Mall Cop]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=7292</guid>
		<description><![CDATA[The Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; secured the top spot of the weekend box office with a $39.2 million take. Last week&#8217;s box office champ, Clint Eastwood&#8217;s &#8220;Gran Torino&#8221; pulled into second with $25.6 milloin, edging out the third-place, 3D thriller &#8220;My Bloody Valentine&#8221; at $24.1 million. Following its Golden Globe wins, &#8220;Slumdog Millionaire&#8221; returned to the top 10, pulling in more than $7 million for the weekend.




 RANK
 Title
 Studio
 Weekend Gross
Jan 16-18
 Total Gross
Thru Jan 18


1
PAUL BLART: MALL COP
SONY PICTURES
$39,234,238
$39,234,238


2
GRAN TORINO
WARNER BROS.
$25,606,399
$76,603,810


3
MY BLOODY VALENTINE
LIONSGATE
$24,103,962
$24,103,962


4
NOTORIOUS
FOX SEARCHLIGHT
$23,393,472
$23,393,472


5
HOTEL FOR ...]]></description>
			<content:encoded><![CDATA[<p>The Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; secured the top spot of the weekend box office with a $39.2 million take. Last week&#8217;s box office champ, Clint Eastwood&#8217;s &#8220;Gran Torino&#8221; pulled into second with $25.6 milloin, edging out the third-place, 3D thriller &#8220;My Bloody Valentine&#8221; at $24.1 million. Following its Golden Globe wins, &#8220;Slumdog Millionaire&#8221; returned to the top 10, pulling in more than $7 million for the weekend.<br />
<!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th> RANK</th>
<th> Title</th>
<th> Studio</th>
<th> Weekend Gross</p>
<p>Jan 16-18</th>
<th> Total Gross<br />
Thru Jan 18</th>
</tr>
<tr>
<td class="axis">1</td>
<td>PAUL BLART: MALL COP</td>
<td>SONY PICTURES</td>
<td>$39,234,238</td>
<td>$39,234,238</td>
</tr>
<tr>
<td class="axis">2</td>
<td>GRAN TORINO</td>
<td>WARNER BROS.</td>
<td>$25,606,399</td>
<td>$76,603,810</td>
</tr>
<tr>
<td class="axis">3</td>
<td>MY BLOODY VALENTINE</td>
<td>LIONSGATE</td>
<td>$24,103,962</td>
<td>$24,103,962</td>
</tr>
<tr>
<td class="axis">4</td>
<td>NOTORIOUS</td>
<td>FOX SEARCHLIGHT</td>
<td>$23,393,472</td>
<td>$23,393,472</td>
</tr>
<tr>
<td class="axis">5</td>
<td>HOTEL FOR DOGS</td>
<td>PARAMOUNT</td>
<td>$22,865,512</td>
<td>$22,865,512</td>
</tr>
<tr>
<td class="axis">6</td>
<td>BRIDE WARS</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$13,878,727</td>
<td>$39,705,852</td>
</tr>
<tr>
<td class="axis">7</td>
<td>THE UNBORN</td>
<td>UNIVERSAL</td>
<td>$10,545,075</td>
<td>$33,784,230</td>
</tr>
<tr>
<td class="axis">8</td>
<td>DEFIANCE</td>
<td>PARAMOUNT VANTAGE</td>
<td>$10,510,082</td>
<td>$10,850,710</td>
</tr>
<tr>
<td class="axis">9</td>
<td>MARLEY &amp; ME</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$7,514,652</td>
<td>$133,923,935</td>
</tr>
<tr>
<td class="axis">10</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>FOX SEARCHLIGHT</td>
<td>$7,021,727</td>
<td>$43,858,932</td>
</tr>
<tr>
<td class="table_meta" colspan="5">source: Nielsen EDI.</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		<title>The Golden Globes On TV: Historical Audience Ratings</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/the-golden-globes-on-tv-historical-audience-ratings/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/the-golden-globes-on-tv-historical-audience-ratings/#comments</comments>
		<pubDate>Tue, 13 Jan 2009 15:08:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[30 Rock]]></category>
		<category><![CDATA[Golden Globe Awards]]></category>
		<category><![CDATA[historical TV ratings]]></category>
		<category><![CDATA[Hollywood Foreign Press Association]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Mickey Rourke]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[TV event]]></category>
		<category><![CDATA[tv ratings]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=6885</guid>
		<description><![CDATA[Sunday&#8217;s broadcast of the 2009 Golden Globe Awards, which featured wins by the TV show &#8220;30 Rock,&#8221; the film &#8220;Slumdog Millionaire,&#8221; actor Mickey Rourke, and actress Kate Winslet, drew nearly 14.9 million U.S. viewers.
By comparison, the 2004 Golden Globes drew the largest U.S. television audience (26.8 million viewers) of any Golden Globes telecast in the past 10 years.
Last year&#8217;s Golden Globe Awards &#8211; aired as a one-hour press conference, due to an ongoing &#8220;writers&#8217; strike&#8221; &#8211; drew just over 6 million viewers.
View Golden Globes TV ratings from 1998 to 2008, below.




Date
Time Aired
Day Aired
Network
Viewers (P2+)


1/13/2008*^
9-10:00PM
Sunday
NBC
6,038,000


1/15/2007*
8-11:00PM
Monday
NBC
20,036,000


1/16/2006*
8-11:00PM
Monday
NBC
18,765,000


1/16/2005
8-11:00PM
Sunday
NBC
16,845,000


1/25/2004
8-11:00PM
Sunday
NBC
26,803,000


1/19/2003
8-11:00PM
Sunday
NBC
20,097,000


1/20/2002
8-11:00PM
Sunday
NBC
23,451,000


1/21/2001
8-11:01PM
Sunday
NBC
22,493,000


1/23/2000
8-11:04PM
Sunday
NBC
22,107,000


1/24/1999
8-11:07PM
Sunday
NBC
24,180,000


* Note: Live+Same Day viewing estimates include ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/01/award-show.jpg"><img class="alignleft size-medium wp-image-6893" title="Award" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/01/award-show-200x300.jpg" alt="" width="100" height="150" /></a>Sunday&#8217;s broadcast of the <a href="http://www.goldenglobes.org/index/">2009 Golden Globe Awards</a>, which featured wins by the TV show &#8220;30 Rock,&#8221; the film &#8220;Slumdog Millionaire,&#8221; actor Mickey Rourke, and actress Kate Winslet, drew nearly 14.9 million U.S. viewers.</p>
<p>By comparison, the 2004 Golden Globes drew the largest U.S. television audience (26.8 million viewers) of any Golden Globes telecast in the past 10 years.</p>
<p>Last year&#8217;s Golden Globe Awards &#8211; aired as a one-hour press conference, due to an ongoing &#8220;writers&#8217; strike&#8221; &#8211; drew just over 6 million viewers.</p>
<p>View Golden Globes TV ratings from 1998 to 2008, below.</p>
<p><span id="more-6885"></span></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Date</th>
<th>Time Aired</th>
<th>Day Aired</th>
<th>Network</th>
<th>Viewers (P2+)</th>
</tr>
<tr>
<td class="axis">1/13/2008*^</td>
<td>9-10:00PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>6,038,000</td>
</tr>
<tr>
<td class="axis">1/15/2007*</td>
<td>8-11:00PM</td>
<td>Monday</td>
<td>NBC</td>
<td>20,036,000</td>
</tr>
<tr>
<td class="axis">1/16/2006*</td>
<td>8-11:00PM</td>
<td>Monday</td>
<td>NBC</td>
<td>18,765,000</td>
</tr>
<tr>
<td class="axis">1/16/2005</td>
<td>8-11:00PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>16,845,000</td>
</tr>
<tr>
<td class="axis">1/25/2004</td>
<td>8-11:00PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>26,803,000</td>
</tr>
<tr>
<td class="axis">1/19/2003</td>
<td>8-11:00PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>20,097,000</td>
</tr>
<tr>
<td class="axis">1/20/2002</td>
<td>8-11:00PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>23,451,000</td>
</tr>
<tr>
<td class="axis">1/21/2001</td>
<td>8-11:01PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>22,493,000</td>
</tr>
<tr>
<td class="axis">1/23/2000</td>
<td>8-11:04PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>22,107,000</td>
</tr>
<tr>
<td class="axis">1/24/1999</td>
<td>8-11:07PM</td>
<td>Sunday</td>
<td>NBC</td>
<td>24,180,000</td>
</tr>
<tr>
<th class="table_meta" colspan="5">* Note: Live+Same Day viewing estimates include DVR playback on the same day, defined as 3AM-3AM.</th>
</tr>
<tr>
<th class="table_meta" colspan="5">^ Note: In 2008, the Golden Globes was a press conference only, due to the &#8220;Writer&#8217;s Strike&#8221;.</th>
</tr>
<tr>
<th class="table_meta" colspan="5">Source: The Nielsen Company (1998 &#8211; 2008).</th>
</tr>
</tbody>
</table>
]]></content:encoded>
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