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	<title>Nielsen Wire &#187; movies</title>
	<atom:link href="http://blog.nielsen.com/nielsenwire/tag/movies/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.nielsen.com/nielsenwire</link>
	<description>Consumer Insights, News, Research &#38; Reports</description>
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			<item>
		<title>Reaching The Hispanic Moviegoer</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/reaching-the-hispanic-moviegoer/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/reaching-the-hispanic-moviegoer/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 15:12:38 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Consumer Insight]]></category>
		<category><![CDATA[Hispanic consumers]]></category>
		<category><![CDATA[movie marketing]]></category>
		<category><![CDATA[moviegoer demographics]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=13675</guid>
		<description><![CDATA[In the early days of the Silver Screen, immigrant characters were not necessarily embraced.  Indeed, it wasn&#8217;t until Margarita Cansino changed her name to Rita Hayworth did she hit the big time.  Today, such a move would not be necessary, as attracting Hispanics is one path for a movie to become a blockbuster.  While Latinos make up about 15 percent of the U.S. population, they represent 28 percent of today&#8217;s heavy moviegoers.  Almost half of Latinos age 12 to 34 watch 11 or more movies a year (compared to 7 ...]]></description>
			<content:encoded><![CDATA[<p>In the early days of the Silver Screen, immigrant characters were not necessarily embraced.  Indeed, it wasn&#8217;t until Margarita Cansino changed her name to Rita Hayworth did she hit the big time.  Today, such a move would not be necessary, as attracting Hispanics is one path for a movie to become a blockbuster.  While Latinos make up about 15 percent of the U.S. population, they represent 28 percent of today&#8217;s heavy moviegoers.  Almost half of Latinos age 12 to 34 watch 11 or more movies a year (compared to 7 for whites and 8 for African-Americans), and half like to see movies within the first 10 days of release.</p>
<p>So what are they watching? Family and action adventure films are popular, but Hispanics command the highest share of audience in the horror/thriller and romantic comedy genres. And they are not just going to the cinema; Hispanic households are 24 percent more likely to purchase DVDs than the average American household.</p>
<p>By understanding the unique consumption habits of Hispanics, the movie industry can tailor a portion of its advertising to a box office constituency that can build brand awareness and success for movies to come.  Read more about the movie-going habits of Hispanics in the current edition of <a href="http://en-us.nielsen.com/main/insights/consumer_insight/July_2009/from_hayworth_to_cansino">Consumer Insight.</a></p>
]]></content:encoded>
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		<item>
		<title>Harry Potter: Wizard of All Media vs. Twilight Vampire</title>
		<link>http://blog.nielsen.com/nielsenwire/online_mobile/harry-potter-wizard-of-all-media-vs-twilight-vampire/</link>
		<comments>http://blog.nielsen.com/nielsenwire/online_mobile/harry-potter-wizard-of-all-media-vs-twilight-vampire/#comments</comments>
		<pubDate>Tue, 14 Jul 2009 18:57:07 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Online + Mobile]]></category>
		<category><![CDATA[book sales]]></category>
		<category><![CDATA[box office]]></category>
		<category><![CDATA[Harry Potter]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New Moon]]></category>
		<category><![CDATA[online buzz]]></category>
		<category><![CDATA[soundtrack sales]]></category>
		<category><![CDATA[Twilight]]></category>
		<category><![CDATA[vampires]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=13543</guid>
		<description><![CDATA[With millions of copies sold, the Harry Potter book series does more than magically fly off the shelves, it has also been a force at the box office, on television, on the web, and even at the record stores. Similarly, a recent book series and film franchise, Twilight, has shown an ability to not only sell books, but also have an impact on the big screen and iPods as its brooding soundtrack has outsold the movie scores of the young wizard head to head. And while web buzz on Harry ...]]></description>
			<content:encoded><![CDATA[<p>With millions of copies sold, the Harry Potter book series does more than magically fly off the shelves, it has also been a force at the box office, on television, on the web, and even at the record stores. Similarly, a recent book series and film franchise, <em>Twilight</em>, has shown an ability to not only sell books, but also have an impact on the big screen and iPods as its brooding soundtrack has outsold the movie scores of the young wizard head to head. And while web buzz on Harry Potter still rules, The Nielsen Company has long known the power of the sci-fi and vampire community online.</p>
<p>As the sixth movie in the Harry Potter franchise, <em>Harry Potter and the Half-Blood Prince</em>, is released this week, The Nielsen Company has prepared an overview of the impact of the two series across media.</p>
<h3>Book Sales*</h3>
<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_books.png"><img class="aligncenter size-full wp-image-13544" title="potter_books" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_books.png" alt="" width="500" height="553" /></a><br />
<span class="table_meta">*Includes all formats of the book (i.e. hardcover, paperback, audio, etc.).  Does not include sales prior to BookScan launch Janaury 2001.</span></p>
<h3>Box Office</h3>
<p>The first movie in the Harry Potter series, <em>Harry Potter and the Sorcerer’s Stone</em>, opened on 11/16/01 bringing in $90.1 million in its opening weekend, and going on to haul in a total of $317.6 million domestically.  The most recent release, 2007’s <em>Harry Potter and the Order of the Phoenix</em>, had the largest opening day total of the series with $44.2 million on Wednesday 7/11/07.  With each movie in the series debuting at #1 on its opening weekend and raking in $200+ million in the U.S, <em>Harry Potter and the Half-Blood Prince</em> has some pretty big goblets to fill.<br />
<a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_boxoffice.png"><img class="aligncenter size-full wp-image-13548" title="potter_boxoffice" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_boxoffice.png" alt="" width="500" height="163" /></a><br />
<span id="more-13543"></span><br />
Twilight has also proved popular among moviegoers as the first installment of the series took in $69.9 million and the top spot at the box office in its opening weekend and a domestic total of $191.4 million.</p>
<h3>Soundtrack</h3>
<p style="text-align: left;">Although both franchises include big-budget theatrical releases, the style of their soundtracks is worlds apart.  The Harry Potter soundtracks play more like the movie&#8217;s score with noted composer John Williams authoring the first three soundtracks in the series which have combined album sales of over a million copies to-date.  Twilight&#8217;s soundtrack includes a compilation of songs performed by popular artists &#8211; film&#8217;s star Robert Pattinson even recorded an original track &#8211; and has sold just over 2.1 million copies since its release.<br />
<a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_albums.png"><img class="size-full wp-image-13547 aligncenter" title="potter_albums" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_albums.png" alt="" width="500" height="180" /></a></p>
<h3>Television</h3>
<p>So far this year Harry Potter movies have aired a total of 33 times on cable nets ABC Family, Disney Channel, HBO and Cinemax with ABC Family claiming four out of the five most-watched telecasts.</p>
<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_telecast.png"><img class="aligncenter size-full wp-image-13545" title="potter_telecast" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_telecast.png" alt="" width="500" height="157" /></a></p>
<h3>Online Buzz</h3>
<p>Buzz tracking the two franchises shows that Harry Potter still dominates buzz, even amid the week where the <em>Twilight</em> movie is making its debut in the fall of 2008. [click to enlarge buzz graph]<br />
<a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_buzz.png"><img class="aligncenter size-full wp-image-13559" title="potter_buzz" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/07/potter_buzz.png" alt="" width="500" height="218" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Advertising Can Make Or Break A Movie</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/advertising-can-make-or-break-a-movie/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/advertising-can-make-or-break-a-movie/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 14:02:34 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[Consumer Insight]]></category>
		<category><![CDATA[movie marketing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[summer]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=12399</guid>
		<description><![CDATA[Slumdog Millionaire, the Oscar winner for Best Picture in 2008 was not a summer blockbuster.  Nor were any of the other nominees in that category.  But they all had a couple of things in common: they were primarily advertised in the second half of the year with a concentration in the fourth quarter, and they were all released in the months of November and December.  So while the summer blockbusters get a great deal of attention, it is those films that are released &#8211; and tend to advertise &#8211; during ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/06/movie-theater-200x300.jpg"><img class="alignleft size-thumbnail wp-image-12415" title="movie-theater-200x300" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/06/movie-theater-200x300-150x150.jpg" alt="" width="105" height="105" /></a><em>Slumdog Millionaire</em>, the Oscar winner for Best Picture in 2008 was not a summer blockbuster.  Nor were any of the other nominees in that category.  But they all had a couple of things in common: they were primarily advertised in the second half of the year with a concentration in the fourth quarter, and they were all released in the months of November and December.  So while the summer blockbusters get a great deal of attention, it is those films that are released &#8211; and tend to advertise &#8211; during the last half of the year that get recognized by the Academy of Motion Picture Arts &amp; Sciences, according to recent review by Nielsen.</p>
<p>A review of Best Picture winners over the past five years reveals that only one film &#8211; <em>Crash</em>, which took home the award in the 2005 &#8211; was released outside the fourth quarter (it was released in early May).  But summer flicks hold their own when it comes to winning awards: the top 10 movies in 2008, based on advertising spending from May through August, included four films with nominations in other categories.  <em>Wall-E</em>, which was ranked third after spending over $38 million in advertising during this period, was nominated in six categories &#8211; and raked in $63.1 million box office sales.</p>
<p>Read more about how advertising can make or break a film in the latest issue of <a href="http://en-us.nielsen.com/main/insights/consumer_insight/june_2009/blockbuster_or_bust">Consumer Insight</a>.</p>
]]></content:encoded>
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		<item>
		<title>Top-10 Most-Watched Academy Awards Broadcasts</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/top-10-most-watched-academy-awards-broadcasts/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/top-10-most-watched-academy-awards-broadcasts/#comments</comments>
		<pubDate>Wed, 18 Feb 2009 18:19:57 +0000</pubDate>
		<dc:creator>Nielsen Press</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Award shows]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Oscars]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=8333</guid>
		<description><![CDATA[Nielsen&#8217;s list of the most-watched Oscar broadcasts since 1974:




RANK
DATE
NETWORK
BEST FILM
# OF VIEWERS P2+(MILLIONS)


1
3/23/1998
ABC
Titanic
55.2


2
4/11/1983
ABC
Gandhi
53.2


3
4/14/1980
ABC
Kramer vs. Kramer
49.0


4
4/3/1978
ABC
Annie Hall
48.5


5
3/27/1995
ABC
Forrest Gump
48.3


6
4/8/1975
NBC
GodfatherPart II
48.1


7
3/29/1976
ABC
One&#8230; Cuckoo&#8217;s Nest
46.8


8
3/26/2000
ABC
American Beauty
46.3


9
4/9/1979
ABC
Deer Hunter
46.3


10
3/29/1982
ABC
Chariots of Fire
46.2


source: The Nielsen Company (2009)




]]></description>
			<content:encoded><![CDATA[<p>Nielsen&#8217;s list of the most-watched <a href="http://www.oscar.com">Oscar</a> broadcasts since 1974:</p>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>RANK</th>
<th>DATE</th>
<th>NETWORK</th>
<th>BEST FILM</th>
<th># OF VIEWERS P2+(MILLIONS)</th>
</tr>
<tr>
<td class="axis">1</td>
<td>3/23/1998</td>
<td>ABC</td>
<td>Titanic</td>
<td>55.2</td>
</tr>
<tr>
<td class="axis">2</td>
<td>4/11/1983</td>
<td>ABC</td>
<td>Gandhi</td>
<td>53.2</td>
</tr>
<tr>
<td class="axis">3</td>
<td>4/14/1980</td>
<td>ABC</td>
<td>Kramer vs. Kramer</td>
<td>49.0</td>
</tr>
<tr>
<td class="axis">4</td>
<td>4/3/1978</td>
<td>ABC</td>
<td>Annie Hall</td>
<td>48.5</td>
</tr>
<tr>
<td class="axis">5</td>
<td>3/27/1995</td>
<td>ABC</td>
<td>Forrest Gump</td>
<td>48.3</td>
</tr>
<tr>
<td class="axis">6</td>
<td>4/8/1975</td>
<td>NBC</td>
<td>GodfatherPart II</td>
<td>48.1</td>
</tr>
<tr>
<td class="axis">7</td>
<td>3/29/1976</td>
<td>ABC</td>
<td>One&#8230; Cuckoo&#8217;s Nest</td>
<td>46.8</td>
</tr>
<tr>
<td class="axis">8</td>
<td>3/26/2000</td>
<td>ABC</td>
<td>American Beauty</td>
<td>46.3</td>
</tr>
<tr>
<td class="axis">9</td>
<td>4/9/1979</td>
<td>ABC</td>
<td>Deer Hunter</td>
<td>46.3</td>
</tr>
<tr>
<td class="axis">10</td>
<td>3/29/1982</td>
<td>ABC</td>
<td>Chariots of Fire</td>
<td>46.2</td>
</tr>
<tr>
<td class="table_meta" colspan="5">source: The Nielsen Company (2009)</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Why We Watch (Or Don&#8217;t Watch) Award Shows</title>
		<link>http://blog.nielsen.com/nielsenwire/consumer/why-we-watch-or-dont-watch-award-shows/</link>
		<comments>http://blog.nielsen.com/nielsenwire/consumer/why-we-watch-or-dont-watch-award-shows/#comments</comments>
		<pubDate>Mon, 26 Jan 2009 14:50:08 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Consumer]]></category>
		<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Award shows]]></category>
		<category><![CDATA[Golden Globes]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Oscars]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=7552</guid>
		<description><![CDATA[Movie buzz is up following the Golden Globes, SAG Awards and the nominations for the Academy Awards, but in recent years viewership for many award shows (including the Oscars) has actually been declining. Is it the host? The length of the broadcast? Or does it have something to do with the movies themselves?
According to a recent study by Nielsen Preview, viewership of the Academy Awards is directly impacted by the box office draw of the best picture nominees and the popularity of the host.
During the 2004 Academy Awards (hosted by ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/01/award-show-200x3001.jpg"><img class="alignleft size-thumbnail wp-image-7556" title="award-show-200x3001" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2009/01/award-show-200x3001-150x150.jpg" alt="" width="150" height="150" /></a>Movie buzz is up following the Golden Globes, SAG Awards and the nominations for the Academy Awards, but in recent years viewership for many award shows (including the Oscars) has actually been declining. Is it the host? The length of the broadcast? Or does it have something to do with the movies themselves?</p>
<p>According to a <a href="http://www.nielsenpreview.com/member/study_detail.php?id=1090">recent study</a> by Nielsen Preview, viewership of the Academy Awards is directly impacted by the box office draw of the best picture nominees and the popularity of the host.</p>
<p>During the 2004 Academy Awards (hosted by Billy Crystal), there was a 28% increase in households tuning in.  This was the year that &#8220;Lord of the Rings: Return of the King&#8221; was nominated (and won) best picture. A blockbuster hit, generating over $350M in revenues, the movie&#8217;s broad appeal translated to a strong ratings boost to nearly all demographics.</p>
<p>Host popularity and awareness, as defined by Nielsen EDI, also has a profound affect on ratings. The highest rating for women 18-24 was in 2007 &#8211;  the year Ellen Degeneres hosted.  Ellen&#8217;s appeal with women also buoyed ratings (which had fallen in prior years) among women 35-55+.</p>
<p>For more information and an outlook for the upcoming 2009 Academy Awards, <a href="http://www.nielsenpreview.com/member/study_detail.php?id=1090">click here</a>.</p>
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		<item>
		<title>&#8220;Mall Cop&#8221; Locks Up Box Office Again</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-locks-up-box-office-again/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/mall-cop-locks-up-box-office-again/#comments</comments>
		<pubDate>Mon, 26 Jan 2009 14:09:19 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Benjamin Button]]></category>
		<category><![CDATA[Gran Torino]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Paul Blart: Mall Cop]]></category>
		<category><![CDATA[Slumdog Millionaire]]></category>
		<category><![CDATA[Underworld]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=7596</guid>
		<description><![CDATA[For the second week in a row, the Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; led the box office with $21.6M in earnings. Newcomer &#8220;Underworld: Rise Of The Lycans&#8221; clawed to second with $20.8M. Oscar nominees for best picture were reward with a box office surge as &#8220;Slumdog Millionaire&#8221; pulled in $3.6M more than last week, and &#8220;Benjamin Button&#8221; turned back the clock with a return into the top 10, bringing in more than $6M the weekend after nominations were announced.




 RANK
 Title
 Studio
 Weekend Gross
Jan 19-25
 Total Gross
Thru Jan ...]]></description>
			<content:encoded><![CDATA[<p>For the second week in a row, the Kevin James comedy &#8220;Paul Blart: Mall Cop&#8221; led the box office with $21.6M in earnings. Newcomer &#8220;Underworld: Rise Of The Lycans&#8221; clawed to second with $20.8M. Oscar nominees for best picture were reward with a box office surge as &#8220;Slumdog Millionaire&#8221; pulled in $3.6M more than last week, and &#8220;Benjamin Button&#8221; turned back the clock with a return into the top 10, bringing in more than $6M the weekend after nominations were announced.<br />
<!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th> RANK</th>
<th> Title</th>
<th> Studio</th>
<th> Weekend Gross</p>
<p>Jan 19-25</th>
<th> Total Gross<br />
Thru Jan 25</th>
</tr>
<tr>
<td class="axis">1</td>
<td>PAUL BLART: MALL COP</td>
<td>SONY PICTURES</td>
<td>$21,623,182</td>
<td>$64,923,380</td>
</tr>
<tr>
<td class="axis">2</td>
<td>UNDERWORLD: RISE OF THE LYCANS</td>
<td>SONY PICTURES</td>
<td>$20,828,511</td>
<td>$20,828,511</td>
</tr>
<tr>
<td class="axis">3</td>
<td>GRAN TORINO</td>
<td>WARNER BROS.</td>
<td>$16,244,462</td>
<td>$97,819,975</td>
</tr>
<tr>
<td class="axis">4</td>
<td>HOTEL FOR DOGS</td>
<td>PARAMOUNT</td>
<td>$12,860,944</td>
<td>$37,455,759</td>
</tr>
<tr>
<td class="axis">5</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>FOX SEARCHLIGHT</td>
<td>$10,699,629</td>
<td>$56,065,245</td>
</tr>
<tr>
<td class="axis">6</td>
<td>MY BLOODY VALENTINE</td>
<td>LIONSGATE</td>
<td>$10,012,658</td>
<td>$37,687,394</td>
</tr>
<tr>
<td class="axis">7</td>
<td>INKHEART</td>
<td>WARNER BROS.</td>
<td>$7,601,379</td>
<td>$7,601,379</td>
</tr>
<tr>
<td class="axis">8</td>
<td>BRIDE WARS</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$6,868,664</td>
<td>$48,570,928</td>
</tr>
<tr>
<td class="axis">9</td>
<td>THE CURIOUS CASE OF BENJAMIN..</td>
<td>PARAMOUNT</td>
<td>$6,085,919</td>
<td>$111,129,482</td>
</tr>
<tr>
<td class="axis">10</td>
<td>NOTORIOUS</td>
<td>FOX SEARCHLIGHT</td>
<td>$5,779,692</td>
<td>$31,874,538</td>
</tr>
<tr>
<td class="table_meta" colspan="5">Source: Nielsen EDI</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;Marley &amp; Me&#8221; Rings In New Year At Number One</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/marley-me-rings-in-new-year-at-number-one/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/marley-me-rings-in-new-year-at-number-one/#comments</comments>
		<pubDate>Mon, 05 Jan 2009 18:45:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[box office results]]></category>
		<category><![CDATA[Marley & Me]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New Year holiday]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=6726</guid>
		<description><![CDATA[U.S. Box office earnings for the first weekend of the new year reached $123.2 million &#8211; down 28% from the prior weekend ($169.9 million), but up 10% compared to the same weekend a year ago ($112.5 million), Nielsen reported Monday.
Twentieth Century Fox&#8217;s &#8220;Marley &#38; Me&#8221; remained in the top spot for the second weekend running, with earnings of almost $24.3 million between Jan. 2 and 4.
Walt Disney Studios&#8217; &#8221;Bedtime Stories&#8221; claimed second place, with earnings of $20.5 million, and Paramount&#8217;s &#8220;The Curious Case of Benjamin Button&#8221; rounded out the top three, with an $18.7 million box office ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/movie-theater-200x3001.jpg"><img class="alignleft size-medium wp-image-6491" title="movie-theater-200x3001" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/movie-theater-200x3001.jpg" alt="" width="100" height="150" /></a>U.S. Box office earnings for the first weekend of the new year reached $123.2 million &#8211; down 28% from the prior weekend ($169.9 million), but up 10% compared to the same weekend a year ago ($112.5 million), Nielsen reported Monday.</p>
<p>Twentieth Century Fox&#8217;s &#8220;Marley &amp; Me&#8221; remained in the top spot for the <a href="http://blog.nielsen.com/nielsenwire/media_entertainment/holiday-movie-goers-flock-to-marley-me/" target="_blank">second weekend running</a>, with earnings of almost $24.3 million between Jan. 2 and 4.</p>
<p><a href="http://blog.nielsen.com/nielsenwire/media_entertainment/movie-goers-say-yes-to-carrey-comedy/" target="_blank"></a>Walt Disney Studios&#8217; &#8221;Bedtime Stories&#8221; claimed second place, with earnings of $20.5 million, and Paramount&#8217;s &#8220;The Curious Case of Benjamin Button&#8221; rounded out the top three, with an $18.7 million box office draw.</p>
<p>Below are the top 10 Box Office totals for the weekend of January 2-4, 2009, according to Nielsen EDI.</p>
<p><span id="more-6726"></span></p>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Rank<br />
(By<br />
Weekend<br />
Gross)</th>
<th>Title</th>
<th>Studio</th>
<th>Weekend Gross<br />
(1/2 &#8211; 1/4)</th>
<th>Total Gross<br />
(Through 1/4/09)</th>
</tr>
<tr>
<td class="axis">1</td>
<td>MARLEY &amp; ME</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$24,263,763</td>
<td>$106,664,046</td>
</tr>
<tr>
<td class="axis">2</td>
<td>BEDTIME STORIES</td>
<td>WALT DISNEY STUDIOS</td>
<td>$20,501,339</td>
<td>$85,539,168</td>
</tr>
<tr>
<td class="axis">3</td>
<td>THE CURIOUS CASE OF BENJAMIN BUTTON</td>
<td>PARAMOUNT</td>
<td>$18,691,248</td>
<td>$79,297,086</td>
</tr>
<tr>
<td class="axis">4</td>
<td>VALKYRIE</td>
<td>MGM STUDIOS</td>
<td>$14,094,617</td>
<td>$60,743,921</td>
</tr>
<tr>
<td class="axis">5</td>
<td>YES MAN</td>
<td>WARNER BROS.</td>
<td>$13,910,477</td>
<td>$79,507,388</td>
</tr>
<tr>
<td class="axis">6</td>
<td>SEVEN POUNDS</td>
<td>SONY PICTURES</td>
<td>$10,068,518</td>
<td>$60,147,298</td>
</tr>
<tr>
<td class="axis">7</td>
<td>THE TALE OF DESPEREAUX</td>
<td>UNIVERSAL</td>
<td>$6,939,295</td>
<td>$43,661,775</td>
</tr>
<tr>
<td class="axis">8</td>
<td>THE DAY THE EARTH STOOD STILL</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$5,049,698</td>
<td>$74,424,256</td>
</tr>
<tr>
<td class="axis">9</td>
<td>DOUBT</td>
<td>MIRAMAX</td>
<td>$5,000,893</td>
<td>$18,705,481</td>
</tr>
<tr>
<td class="axis">10</td>
<td>SLUMDOG MILLIONAIRE</td>
<td>FOX SEARCHLIGHT</td>
<td>$4,690,769</td>
<td>$28,676,598</td>
</tr>
<tr>
<td class="table_meta" colspan="5">Source: The Nielsen Company (January 2 &#8211; 4, 2009).</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Holiday Moviegoers Flock To &#8220;Marley &amp; Me&#8221;</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/holiday-movie-goers-flock-to-marley-me/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/holiday-movie-goers-flock-to-marley-me/#comments</comments>
		<pubDate>Mon, 29 Dec 2008 22:10:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[box office results]]></category>
		<category><![CDATA[Christmas holiday]]></category>
		<category><![CDATA[Marley & Me]]></category>
		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=6484</guid>
		<description><![CDATA[U.S. Box office earnings over the weekend following the Christmas holiday reached $169.9 million &#8211; up 120% over the prior weekend ($77.4 million), but down by 27% compared to the same weekend a year ago ($232.9 million), Nielsen reported Monday.
Twentieth Century Fox&#8217;s &#8220;Marley &#38; Me&#8221; took over the top spot, with earnings of almost $36.5 million between Dec. 26 and 28.  Last weekend&#8217;s number one movie, Warner&#8217;s Brothers&#8217; &#8220;Yes Man,&#8221; fell to fifth place &#8212; though its weekend gross fell only slightly: from $18.2 million during the weekend of Dec. 19-21, ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/movie-theater-200x3001.jpg"><img class="alignleft size-medium wp-image-6491" title="movie-theater-200x3001" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/movie-theater-200x3001.jpg" alt="" width="100" height="150" /></a>U.S. Box office earnings over the weekend following the Christmas holiday reached $169.9 million &#8211; up 120% over the prior weekend ($77.4 million), but down by 27% compared to the same weekend a year ago ($232.9 million), Nielsen reported Monday.</p>
<p>Twentieth Century Fox&#8217;s &#8220;Marley &amp; Me&#8221; took over the top spot, with earnings of almost $36.5 million between Dec. 26 and 28.  <a href="http://blog.nielsen.com/nielsenwire/media_entertainment/movie-goers-say-yes-to-carrey-comedy/" target="_blank">Last weekend&#8217;s number one movie</a>, Warner&#8217;s Brothers&#8217; &#8220;Yes Man,&#8221; fell to fifth place &#8212; though its weekend gross fell only slightly: from $18.2 million during the weekend of Dec. 19-21, to $16.7 million in the weekend of Dec. 26-28.</p>
<p>Below are the top 10 Box Office totals for the weekend of December 26-28, 2008, according to Nielsen EDI.</p>
<p><span id="more-6484"></span></p>
<p><!-- start chart --></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Rank<br />
(By<br />
Weekend Gross)</th>
<th>Title</th>
<th>Studio</th>
<th>Weekend Gross<br />
(12/26 &#8211; 12/28)</th>
<th>Total 2008 Gross<br />
(Through 12/28/08)</th>
</tr>
<tr>
<td class="axis">1</td>
<td>MARLEY &amp; ME</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$36,357,586</td>
<td>$50,738,566</td>
</tr>
<tr>
<td class="axis">2</td>
<td>BEDTIME STORIES</td>
<td>WALT DISNEY STUDIOS</td>
<td>$27,450,296</td>
<td>$38,029,113</td>
</tr>
<tr>
<td class="axis">3</td>
<td>THE CURIOUS CASE OF BENJAMIN BUTTON</td>
<td>PARAMOUNT</td>
<td>$26,853,816</td>
<td>$38,725,647</td>
</tr>
<tr>
<td class="axis">4</td>
<td>VALKYRIE</td>
<td>MGM STUDIOS</td>
<td>$21,027,007</td>
<td>$29,520,979</td>
</tr>
<tr>
<td class="axis">5</td>
<td>YES MAN</td>
<td>WARNER BROS.</td>
<td>$16,657,046</td>
<td>$49,798,560</td>
</tr>
<tr>
<td class="axis">6</td>
<td>SEVEN POUNDS</td>
<td>SONY PICTURES</td>
<td>$13,203,236</td>
<td>$38,762,647</td>
</tr>
<tr>
<td class="axis">7</td>
<td>THE TALE OF DESPEREAUX</td>
<td>UNIVERSAL</td>
<td>$8,932,625</td>
<td>$27,448,085</td>
</tr>
<tr>
<td class="axis">8</td>
<td>THE DAY THE EARTH STOOD STILL</td>
<td>TWENTIETH CENTURY FOX</td>
<td>$7,697,799</td>
<td>$63,480,184</td>
</tr>
<tr>
<td class="axis">9</td>
<td>THE SPIRIT</td>
<td>LIONSGATE</td>
<td>$6,463,278</td>
<td>$10,305,501</td>
</tr>
<tr>
<td class="axis">10</td>
<td>DOUBT</td>
<td>MIRAMAX</td>
<td>$5,339,742</td>
<td>$8,484,863</td>
</tr>
<tr>
<td class="table_meta" colspan="5">Source: The Nielsen Company (December 26 &#8211; 28, 2008).</td>
</tr>
</tbody>
</table>
<p><!-- end chart --></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Movie-goers Say &#8220;Yes&#8221; To Carrey Comedy</title>
		<link>http://blog.nielsen.com/nielsenwire/media_entertainment/movie-goers-say-yes-to-carrey-comedy/</link>
		<comments>http://blog.nielsen.com/nielsenwire/media_entertainment/movie-goers-say-yes-to-carrey-comedy/#comments</comments>
		<pubDate>Mon, 22 Dec 2008 21:24:25 +0000</pubDate>
		<dc:creator>Nielsen Wire</dc:creator>
				<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[box office results]]></category>
		<category><![CDATA[Jim Carrey]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[Seven Pounds]]></category>
		<category><![CDATA[Will Smith]]></category>
		<category><![CDATA[Yes Man]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=6344</guid>
		<description><![CDATA[Jim Carrey&#8217;s &#8220;Yes Man,&#8221; took over the top spot of the weekend box office for the weekend of December 19-21 with a take of more than $18M, placing it ahead of other weekend debuts including Will Smith&#8217;s &#8220;Seven Pounds,&#8221; and the animated &#8220;The Tale Of Despereaux,&#8221; featuring Matthew Broderick.
Below are the top 10 Box Office totals for the weekend of December 19-21, 2008 according to Nielsen EDI.



	Rank	
	Title	
	Studio	
	Weekend Gross	
	Gross	


	1	
	YES MAN	
	WARNER BROS.	
	$18,262,471	
	$18,262,471	


	2	
	SEVEN POUNDS	
	SONY PICTURES	
	$14,851,136	
	$14,851,136	


	3	
	THE TALE OF DESPEREAUX	
	UNIVERSAL	
	$10,103,675	
	$10,103,675	


	4	
	THE DAY THE EARTH STOOD STILL	
	TWENTIETH CENTURY FOX	
	$48,366,989	
	$9,890,105	


	5	
	FOUR CHRISTMASES	
	WARNER BROS.	
	$100,110,827	
	$7,701,375	


	6	
	TWILIGHT	
	SUMMIT ENTERTAINMENT	
	$158,423,218	
	$5,189,319	


	7	
	BOLT	
	WALT DISNEY STUDIOS	
	$94,900,059	
	$4,146,856	


	8	
	SLUMDOG MILLIONAIRE	
	FOX SEARCHLIGHT	
	$12,037,510	
	$3,053,760	


	9	
	AUSTRALIA	
	TWENTIETH CENTURY ...]]></description>
			<content:encoded><![CDATA[<p>Jim Carrey&#8217;s &#8220;Yes Man,&#8221; took over the top spot of the weekend box office for the weekend of December 19-21 with a take of more than $18M, placing it ahead of other weekend debuts including Will Smith&#8217;s &#8220;Seven Pounds,&#8221; and the animated &#8220;The Tale Of Despereaux,&#8221; featuring Matthew Broderick.</p>
<p>Below are the top 10 Box Office totals for the weekend of December 19-21, 2008 according to Nielsen EDI.<br />
<!-- start chart --><br />
<table class="chart">
<tr>
<th>	Rank	</th>
<th>	Title	</th>
<th>	Studio	</th>
<th>	Weekend Gross	</th>
<th>	Gross	</th>
</tr>
<tr>
<td class="axis">	1	</td>
<td>	YES MAN	</td>
<td>	WARNER BROS.	</td>
<td>	$18,262,471	</td>
<td>	$18,262,471	</td>
</tr>
<tr>
<td class="axis">	2	</td>
<td>	SEVEN POUNDS	</td>
<td>	SONY PICTURES	</td>
<td>	$14,851,136	</td>
<td>	$14,851,136	</td>
</tr>
<tr>
<td class="axis">	3	</td>
<td>	THE TALE OF DESPEREAUX	</td>
<td>	UNIVERSAL	</td>
<td>	$10,103,675	</td>
<td>	$10,103,675	</td>
</tr>
<tr>
<td class="axis">	4	</td>
<td>	THE DAY THE EARTH STOOD STILL	</td>
<td>	TWENTIETH CENTURY FOX	</td>
<td>	$48,366,989	</td>
<td>	$9,890,105	</td>
</tr>
<tr>
<td class="axis">	5	</td>
<td>	FOUR CHRISTMASES	</td>
<td>	WARNER BROS.	</td>
<td>	$100,110,827	</td>
<td>	$7,701,375	</td>
</tr>
<tr>
<td class="axis">	6	</td>
<td>	TWILIGHT	</td>
<td>	SUMMIT ENTERTAINMENT	</td>
<td>	$158,423,218	</td>
<td>	$5,189,319	</td>
</tr>
<tr>
<td class="axis">	7	</td>
<td>	BOLT	</td>
<td>	WALT DISNEY STUDIOS	</td>
<td>	$94,900,059	</td>
<td>	$4,146,856	</td>
</tr>
<tr>
<td class="axis">	8	</td>
<td>	SLUMDOG MILLIONAIRE	</td>
<td>	FOX SEARCHLIGHT	</td>
<td>	$12,037,510	</td>
<td>	$3,053,760	</td>
</tr>
<tr>
<td class="axis">	9	</td>
<td>	AUSTRALIA	</td>
<td>	TWENTIETH CENTURY FOX	</td>
<td>	$41,796,525	</td>
<td>	$2,174,188	</td>
</tr>
<tr>
<td class="axis">	10	</td>
<td>	QUANTUM OF SOLACE	</td>
<td>	SONY PICTURES	</td>
<td>	$161,200,412	</td>
<td>	$2,051,882	</td>
</tr>
<tr>
<td class="table_meta" colspan="5">	Source: The Hollywood Reporter / Nielsen EDI							</td>
</tr>
</table>
<p>	<!-- end chart -->	</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Tops In 2008: Best Selling Books, Audio Books</title>
		<link>http://blog.nielsen.com/nielsenwire/consumer/tops-in-2008-best-selling-books-audio-books/</link>
		<comments>http://blog.nielsen.com/nielsenwire/consumer/tops-in-2008-best-selling-books-audio-books/#comments</comments>
		<pubDate>Fri, 19 Dec 2008 14:18:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Consumer]]></category>
		<category><![CDATA[Media + Entertainment]]></category>
		<category><![CDATA[Nielsen News]]></category>
		<category><![CDATA[Online + Mobile]]></category>
		<category><![CDATA[2008]]></category>
		<category><![CDATA[A New Earth]]></category>
		<category><![CDATA[advertisers]]></category>
		<category><![CDATA[albums]]></category>
		<category><![CDATA[audio book]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[consumer products]]></category>
		<category><![CDATA[CPG]]></category>
		<category><![CDATA[downloaded songs]]></category>
		<category><![CDATA[DVDs]]></category>
		<category><![CDATA[DVR]]></category>
		<category><![CDATA[Eckhart Tolle]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[mobile phones]]></category>
		<category><![CDATA[mobile websites]]></category>
		<category><![CDATA[most popular]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[MP3 markets]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[non-fiction]]></category>
		<category><![CDATA[online shopping]]></category>
		<category><![CDATA[products placements]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[The Shack]]></category>
		<category><![CDATA[top ten]]></category>
		<category><![CDATA[Tops In 2008]]></category>
		<category><![CDATA[TV commercials]]></category>
		<category><![CDATA[TV programs]]></category>
		<category><![CDATA[websites]]></category>
		<category><![CDATA[William P. Young]]></category>

		<guid isPermaLink="false">http://blog.nielsen.com/nielsenwire/?p=5898</guid>
		<description><![CDATA[Nielsen has issued a year-end look at the most popular trends among Americans during 2008, covering everything from the top TV programs to the most popular consumer packaged goods.
William P. Young&#8217;s &#8221;The Shack&#8221; was the top-selling fiction book through November 30.
Among non-fiction books, &#8220;A New Earth,&#8221; by Eckhart Tolle was the top-seller.
The audio version of Tolle&#8217;s &#8220;A New Earth&#8221; was the top-selling audio book of the year.

Top 10 Book Sales: Adult Fiction



Rank
Book Title
Author
Format
Publisher
Publication
Date


1
The Shack
William P. Young
Trade Paperback
Hachette Book Group
7/1/08


2
The Appeal
John Grisham
Hardcover
Random House
1/1/08


3
The Host
Stephenie Meyer
Hardcover
Hachette Book Group
5/1/08


4
The Friday Night Knitting Club
Kate Jacobs
Trade Paperback
Penguin Books
1/1/08


5
Water For ...]]></description>
			<content:encoded><![CDATA[<p><em><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/books1.jpg"><img class="alignleft size-medium wp-image-5914" title="books1" src="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/books1-200x300.jpg" alt="" width="100" height="150" /></a>Nielsen has issued a <a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/nielsen-top-tens-2008-final16.pdf">year-end look</a> at the most popular trends among Americans during 2008, covering everything from the top TV programs to the most popular consumer packaged goods.</em></p>
<p><a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/books.jpg"></a>William P. Young&#8217;s &#8221;The Shack&#8221; was the top-selling fiction book through November 30.</p>
<p>Among non-fiction books, &#8220;A New Earth,&#8221; by Eckhart Tolle was the top-seller.</p>
<p>The audio version of Tolle&#8217;s &#8220;A New Earth&#8221; was the top-selling audio book of the year.</p>
<p><span id="more-5898"></span></p>
<p><strong>Top 10 Book Sales: Adult Fiction</strong></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Rank</th>
<th>Book Title</th>
<th>Author</th>
<th>Format</th>
<th>Publisher</th>
<th>Publication<br />
Date</th>
</tr>
<tr>
<td class="axis">1</td>
<td>The Shack</td>
<td>William P. Young</td>
<td>Trade Paperback</td>
<td>Hachette Book Group</td>
<td>7/1/08</td>
</tr>
<tr>
<td class="axis">2</td>
<td>The Appeal</td>
<td>John Grisham</td>
<td>Hardcover</td>
<td>Random House</td>
<td>1/1/08</td>
</tr>
<tr>
<td class="axis">3</td>
<td>The Host</td>
<td>Stephenie Meyer</td>
<td>Hardcover</td>
<td>Hachette Book Group</td>
<td>5/1/08</td>
</tr>
<tr>
<td class="axis">4</td>
<td>The Friday Night Knitting Club</td>
<td>Kate Jacobs</td>
<td>Trade Paperback</td>
<td>Penguin Books</td>
<td>1/1/08</td>
</tr>
<tr>
<td class="axis">5</td>
<td>Water For Elephants</td>
<td>Sara Gruen</td>
<td>Trade Paperback</td>
<td>Workman Publishing</td>
<td>5/1/07</td>
</tr>
<tr>
<td class="axis">6</td>
<td>The Kite Runner</td>
<td>Khaled Hosseini</td>
<td>Trade Paperback</td>
<td>Penguin Books</td>
<td>1/1/03</td>
</tr>
<tr>
<td class="axis">7</td>
<td>The Lucky One</td>
<td>Nicholas Sparks</td>
<td>Hardcover</td>
<td>Hachette Book Group</td>
<td>9/1/08</td>
</tr>
<tr>
<td class="axis">8</td>
<td>The Story Of Edward Sawtelle</td>
<td>David Wroblewski</td>
<td>Hardcover</td>
<td>Harper Collins</td>
<td>9/1/08</td>
</tr>
<tr>
<td class="axis">9</td>
<td>Playing For Pizza</td>
<td>John Grisham</td>
<td>Hardcover</td>
<td>Random House</td>
<td>7/1/08</td>
</tr>
<tr>
<td class="axis">10</td>
<td>Fearless Fourteen</td>
<td>Janet Evanovich</td>
<td>Hardcover</td>
<td>McMillan</td>
<td>6/1/08</td>
</tr>
<tr>
<th class="table_meta" colspan="6">Source: The Nielsen Company (<strong><span class="style2">December 31, 2007 – December 28, 2008</span></strong>).</th>
</tr>
<tr>
<th class="table_meta" colspan="6">Note: Data does not include sales from Wal-Mart, Sam&#8217;s, BJ&#8217;s, airports, and libraries. Traditionally, book sales see increases during the holidays.</th>
</tr>
</tbody>
</table>
<p><strong><br />
Top 10 Book Sales: Adult Non-Fiction</strong></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Rank</th>
<th>Book Title</th>
<th>Author</th>
<th>Format</th>
<th>Publisher</th>
<th>Publication<br />
Date</th>
</tr>
<tr>
<td class="axis">1</td>
<td>A New Earth</td>
<td>Eckhart Tolle</td>
<td>Trade Paperback</td>
<td>Penguin Books</td>
<td>2/1/08</td>
</tr>
<tr>
<td class="axis">2</td>
<td>The Last Lecture</td>
<td>Randy Pausch</td>
<td>Hardcover</td>
<td>Hyperion</td>
<td>4/1/08</td>
</tr>
<tr>
<td class="axis">3</td>
<td>Eat Pray Love</td>
<td>Elizabeth Gilbert</td>
<td>Trade Paperback</td>
<td>Penguin Books</td>
<td>2/1/07</td>
</tr>
<tr>
<td class="axis">4</td>
<td>Three Cups of Tea</td>
<td>Greg Mortenson</td>
<td>Trade Paperback</td>
<td>Penguin Books</td>
<td>2/1/07</td>
</tr>
<tr>
<td class="axis">5</td>
<td>The Secret</td>
<td>Rhonda Byrne</td>
<td>Hardcover</td>
<td>Simon &amp; Schuster</td>
<td>11/1/06</td>
</tr>
<tr>
<td class="axis">6</td>
<td>Eat This Not That!</td>
<td>David Zinczenko</td>
<td>Trade Paperback</td>
<td>MacMillan</td>
<td>1/1/08</td>
</tr>
<tr>
<td class="axis">7</td>
<td>The Audacity of Hope</td>
<td>Barack Obama</td>
<td>Trade Paperback</td>
<td>Random House</td>
<td>11/1/07</td>
</tr>
<tr>
<td class="axis">8</td>
<td>Skinny Bitch</td>
<td>Kim Barnouin</td>
<td>Trade Paperback</td>
<td>Pereus Books</td>
<td>1/1/06</td>
</tr>
<tr>
<td class="axis">9</td>
<td>Dreams from My Father</td>
<td>Barack Obama</td>
<td>Trade Paperback</td>
<td>Random House</td>
<td>8/1/04</td>
</tr>
<tr>
<td class="axis">10</td>
<td>The Power of Now</td>
<td>Eckhart Tolle</td>
<td>Trade Paperback</td>
<td>PGW TR</td>
<td>8/1/04</td>
</tr>
<tr>
<th class="table_meta" colspan="6">Source: The Nielsen Company (December 31, 2007 &#8211; November 30, 2008).</th>
</tr>
<tr>
<th class="table_meta" colspan="6">Note: Data does not include sales from Wal-Mart, Sam&#8217;s, BJ&#8217;s, airports, and libraries. Traditionally, book sales see increases during the holidays.</th>
</tr>
</tbody>
</table>
<p><strong><br />
Top 10 Audio Book Sales: Adult and Juvenile</strong></p>
<table class="chart" border="0">
<tbody>
<tr>
<th>Rank</th>
<th>Book Title</th>
<th>Author</th>
<th>Publisher</th>
<th>Publication<br />
Date</th>
</tr>
<tr>
<td class="axis">1</td>
<td>A New Earth</td>
<td>Eckhart Tolle</td>
<td>Penguin Books</td>
<td>2/1/08</td>
</tr>
<tr>
<td class="axis">2</td>
<td>The Secret</td>
<td>Rhonda Byrne</td>
<td>Simon &amp; Schuster</td>
<td>11/1/06</td>
</tr>
<tr>
<td class="axis">3</td>
<td>The Last Lecture</td>
<td>Randy Pausch</td>
<td>Hyperion</td>
<td>4/1/08</td>
</tr>
<tr>
<td class="axis">4</td>
<td>Become a Better You: 7 Keys to Improving …</td>
<td>Joel Osteen</td>
<td>Simon &amp; Schuster</td>
<td>10/1/07</td>
</tr>
<tr>
<td class="axis">5</td>
<td>The Audacity of Hope</td>
<td>Barack Obama</td>
<td>Random House</td>
<td>11/1/07</td>
</tr>
<tr>
<td class="axis">6</td>
<td>The Appeal (unabridged)</td>
<td>John Grisham</td>
<td>Random House</td>
<td>1/1/08</td>
</tr>
<tr>
<td class="axis">7</td>
<td>When You Are Engulfed in Flames</td>
<td>David Sedaris</td>
<td>Hachette Book Group</td>
<td>6/1/08</td>
</tr>
<tr>
<td class="axis">8</td>
<td>Twilight</td>
<td>Stephenie Meyer</td>
<td>Random House</td>
<td>10/1/05</td>
</tr>
<tr>
<td class="axis">9</td>
<td>The Power of Now</td>
<td>Eckhart Tolle</td>
<td>PGW TR</td>
<td>10/1/01</td>
</tr>
<tr>
<td class="axis">10</td>
<td>The Shack</td>
<td>William P. Young</td>
<td>Oasis</td>
<td>6/1/08</td>
</tr>
<tr>
<th class="table_meta" colspan="5">Source: The Nielsen Company (December 31, 2007 &#8211; November 30, 2008).</th>
</tr>
<tr>
<th class="table_meta" colspan="5">Note: Data does not include sales from Wal-Mart, Sam&#8217;s, BJ&#8217;s, airports, and libraries. Traditionally, book sales see increases during the holidays.</th>
</tr>
</tbody>
</table>
<p>View the <a href="http://blog.nielsen.com/nielsenwire/wp-content/uploads/2008/12/nielsen-top-tens-2008-final17.pdf">press release</a>.</p>
<p><strong>Relive the greatest hits of 2008 &#8212; stay tuned on Nielsen Wire for more </strong><a href="http://blog.nielsen.com/nielsenwire/tag/tops-in-2008/" target="_blank"><strong>Tops In 2008</strong></a><strong> coverage.</strong></p>
<p><strong>Look ahead to the new year with Nielsen Wire&#8217;s </strong><a href="http://blog.nielsen.com/nielsenwire/tag/2009-outlook/" target="_blank"><strong>2009 Industry Outlook</strong></a><strong> series.</strong></p>
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